210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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Pucker those lips and get some loving into your life with this retro matchbox label typography print.
210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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Designed and manufactured in Transylvania, the Mind The Gap wall art range comprises a various selection of substrates and decorative techniques. Their prints are made on fine art paper or natural linen and some are hand embellished with brass and copper metallic foils. For some designs they use also the parchment technique to enhance the vintage look. Each piece is framed with premium wooden frame and protected with acrylic glass. Embellished with copper foil. 70 x 100 Lead time - two weeks. -
Designed and manufactured in Transylvania, the Mind The Gap wall art range comprises a various selection of substrates and decorative techniques. Their prints are made on fine art paper or natural linen and some are hand embellished with brass and copper metallic foils. For some designs they use also the parchment technique to enhance the vintage look. Each piece is framed with premium wooden frame and protected with acrylic glass. Embellished with copper foil. 70 x 100 Lead time - two weeks. -
By Emmy Lupin Studio
210gsm acid free archival paper with a small white border.
Frames are 35 mm
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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By Bo Lundberg
210gsm acid free archival paper with a small white border.
Frames are 35 mm
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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MATERIALS Printed canvas on sustainably sourced wood stretcher bars, and mounted inside a painted solid wood ‘box’ frame. DIMENSIONS 40.6 cm wide x 50.8 cm high Lead time 2 - 5 days -
Real Wooden Frame dimensions: 66cmx 81.3cm
Lead Time: 1-5 days
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The “Blindfold” wall art collection comprises of 5 designs, Blindfold 1,2,3, 5 & 7.
Dimensions: 66cmx W 81.3cmH (1.9 mm black box frame)
Lead Time: 1-5 days
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The “Blindfold” wall art collection comprises of 5 designs, Blindfold 1,2,3, 5 & 7.
Dimensions: 66cmx W 81.3cmH (1.9 mm black box frame)
Lead Time: 1-5 days
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The “Blindfold” wall art collection comprises of 5 designs, Blindfold 1,2,3, 5 & 7.
Dimensions: 66cmx W 81.3cmH (1.9 mm black box frame)
Lead Time: 1-5 days
-
The “Blindfold” wall art collection comprises of 5 designs, Blindfold 1,2,3, 5 & 7.
Dimensions: 66cmx W 81.3cmH (1.9 mm black box frame)
Lead Time: 1-5 days
-
The “Blindfold” wall art collection comprises of 5 designs, Blindfold 1,2,3, 5 & 7.
Dimensions: 66cmx W 81.3cmH (1.9mm black box frame)
Lead Time: 1-5 days
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Get the industrial look with this ethereal modern monochrome portrait by Ruben Ireland.210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in A3, A2, A1
Lead time 3-5 working days
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in A3, A2, A1
Lead time 3-5 working days
