Prints

Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.

Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.

Printed on to HR Giclee 200 gr paper

Available in 3 sizes….

Small 35 x 35 cms

Medium 40 x 40 cms

Large 50 x 50 cms

Lead time 3-5 working days

Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.

Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.

Printed on to HR Giclee 200 gr paper

Available in A3, A2, A1

Lead time 3-5 working days

Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.

Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.

Printed on to HR Giclee 200 gr paper

Available in A3, A2, A1

Lead time 3-5 working days

Born into a family of Argentinian artists, illustrator Sofia Bonati studied geology before taking up graphic design and illustration, which she now practices part-time from the UK, her current home. Adding inks, gouache and watercolour to her delicate pencil drawings, Sofia creates portraits of enchanting women with a look of mystery in their eyes. Gallery-quality fine art print with a 1 cm white border. The semi-gloss finish creates a slightly shiny effect. 5 sizes available 240 g/m² pure white paper Semi-gloss 12-colour digital printing Lead time - 10 days In association with Juniqe

Born into a family of Argentinian artists, illustrator Sofia Bonati studied geology before taking up graphic design and illustration, which she now practices part-time from the UK, her current home. Adding inks, gouache and watercolour to her delicate pencil drawings, Sofia creates portraits of enchanting women with a look of mystery in their eyes. Gallery-quality fine art print with a 1 cm white border. The semi-gloss finish creates a slightly shiny effect. 5 sizes available 240 g/m² pure white paper Semi-gloss 12-colour digital printing Lead time - 10 days In association with Juniqe