Prints
Prints are a great way to add an extra dimension to a room. Prints can instantly add colour and character to a room. From arty abstracts to classic quote prints, you’ll find the perfect print to complete the look in your home. Shop our collection below.
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By Hannah Gilson
210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in A3, A2, A1
Lead time 3-5 working days
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in A3, A2, A1
Lead time 3-5 working days
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Get the industrial look with this ethereal modern monochrome portrait by Ruben Ireland.210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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By Bo Lundberg
210gsm acid free archival paper with a small white border.
Frames are 35 mm
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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By Emmy Lupin Studio
210gsm acid free archival paper with a small white border.
Frames are 35 mm
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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Pucker those lips and get some loving into your life with this retro matchbox label typography print.
210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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By Indie Prints, Inspired by Philip Larkin
210gsm acid free archival paper with a small white border.
Frames are 35 mm
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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By Wonder and Rah
210gsm acid free archival paper with a small white border.
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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By Fox and Velvet
210gsm acid free archival paper with a small white border.
Frames are 35 mm
- A3: 29.7 x 42cms
- A2: 42.0 x 59.4cms
- A1: 59.4 x 84.1cms
Lead time 5-7 days
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Peggy Wolf is a self-taught illustrator who initially studied Fashion Design. During her studies she found her love for illustrating and later moved to London. The vibrant and buzzing city has shaped her creativity enormously and she had the time to create various female portraits, which are often described as quirky, colourful, enigmatic and sophisticated characters with an edge.
Her work is a bridge between art and fashion looking neat and commercial without loosing its charm. Peggy is constantly interested in exploring and showing the different types of women either on paper or inside the digital collage.
Since 2012 she is back in her native Germany and continues to work as an Illustrator. Peggy is creating work for clients around the globe coming from different markets such as Beauty, Fashion, Jewellery, Interior Design and Magazines.
Printed on to 310msg Photo Rag Hahnemühle paper.
Lead time 7 - 14 days.
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Gallery-quality fine art print with a 1 cm white border. The semi-gloss finish creates a slightly shiny effect.
240 g/m² pure white paper
Semi-gloss
12-colour digital printing
Lead time - 10 days
In association with Juniqe
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Ana by Colette Lavette.
LaVette is a sustainable painter and sculptor, exploring human creation and our place on earth. That being sometimes conflicting and other times harmonious. She has travelled the world, which strongly influences her work along side design principles learnt at university and beyond. LaVette seeks to create beautiful, honest depictions that add to the earth rather than take from it. LaVette uses sustainable, cruelty free oils that she mixes herself from natural minerals such as iron oxide with walnut and linseed oils, and uses these alongside earthenware clay. These are applied to surfaces made of hemp, bamboo and organic cotton canvas, all of fine art archival quality.
A3 - Open edition, bamboo archival quality prints entirely sustainable, using non toxic, cruelty-free paints.
Lead time approx 5 days.
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Gallery-quality fine art print with a 1 cm white border. The semi-gloss finish creates a slightly shiny effect.
240 g/m² pure white paper
Semi-gloss
12-colour digital printing
Lead time - 10 days
In association with Juniqe
