Art Collection
Whether you are looking for a unique piece that makes a statement or for a range of prints to create a feature wall in your home, Tin Design’s range includes something to suit every home. From prints to ornaments and canvases, we’re sure you’ll find a piece or pieces you love!
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in A3, A2, A1
Lead time 3-5 working days
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in A3, A2, A1
Lead time 3-5 working days
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Ana by Colette Lavette.
LaVette is a sustainable painter and sculptor, exploring human creation and our place on earth. That being sometimes conflicting and other times harmonious. She has travelled the world, which strongly influences her work along side design principles learnt at university and beyond. LaVette seeks to create beautiful, honest depictions that add to the earth rather than take from it. LaVette uses sustainable, cruelty free oils that she mixes herself from natural minerals such as iron oxide with walnut and linseed oils, and uses these alongside earthenware clay. These are applied to surfaces made of hemp, bamboo and organic cotton canvas, all of fine art archival quality.
A3 - Open edition, bamboo archival quality prints entirely sustainable, using non toxic, cruelty-free paints.
Lead time approx 5 days.
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in 3 sizes….
Small 35 x 35 cms
Medium 40 x 40 cms
Large 50 x 50 cms
Lead time 3-5 working days
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Karenina Fabrizzi has always been fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
Printed on to HR Giclee 200 gr paper
Available in 3 sizes….
Small 35 x 35 cms
Medium 40 x 40 cms
Large 50 x 50 cms
Lead time 3-5 working days
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Stunning print by Penny Feathers Vintage.
Fine art prints on textured paper that looks and feels like the original. The paper is a natural white colour which gives the prints an aged authentic feel. Additional paint and embellishments are added to each print. Acrylic with copper.
Archival quality HDX ink on matte textured paper.
A3 Acrylic
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Stunning print by Penny Feathers Vintage.
Fine art prints on textured paper that looks and feels like the original. The paper is a natural white colour which gives the prints an aged authentic feel. Additional paint and embellishments are added to each print. Acrylic with copper.
Archival quality HDX ink on matte textured paper.
A3 hand embellished with gold.
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Stunning print by Penny Feathers Vintage.
Fine art prints on textured paper that looks and feels like the original. The paper is a natural white colour which gives the prints an aged authentic feel. Additional paint and embellishments are added to each print. Acrylic with copper.
Archival quality HDX ink on matte textured paper.
A3 with Acrylic
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Stunning print by Penny Feathers Vintage.
Fine art prints on textured paper that looks and feels like the original. The paper is a natural white colour which gives the prints an aged authentic feel. Additional paint and embellishments are added to each print. Acrylic with copper.
Archival quality HDX ink on matte textured paper.
A3
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The ‘Tao Master’ collection of art works bring together the old masters of fine art, and the wisdom of Taoism, the western and eastern, the yin and the yang, in a continuous and harmonious exchange. Renaissance and Baroque masters searching for a “Way” to express and capture life through their paintings, and Taoism whispering the path (or “Way”) for a more enlighten and balanced life. These little masterpieces are printed on stretched canvas and presented in a wooden frame crafted from black stained ash. Dimensions: 305mm x 356mm The white area is also part of the print, and is there to give the illusion of a mount. Delivery 1 - 2 weeks
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The ‘Tao Master’ collection of art works bring together the old masters of fine art, and the wisdom of Taoism, the western and eastern, the yin and the yang, in a continuous and harmonious exchange. Renaissance and Baroque masters searching for a “Way” to express and capture life through their paintings, and Taoism whispering the path (or “Way”) for a more enlighten and balanced life. These little masterpieces are printed on stretched canvas and presented in a wooden frame crafted from black stained ash. Dimensions: 305mm x 356mm The white area is also part of the print, and is there to give the illusion of a mount. Delivery 1 - 2 weeks